Retinoblastom - Forum

w4ertyuit6y7ui · Mitglied Beiträge: 131

can be mended through the power of family, love and connection to the past. Director Julia Hart’s sophomore feature (co-written with Jordan Horowitz) is an unconventional superhero saga about Ruth (Gugu Mbatha-Raw), who in a near future decimated by lack of rain, flees government agent Bill (Christopher Denham) while trying to control her extraordinary abilities, which manifest themselves as seismic seizures. Ruth’s flight takes her to her childhood home and her mom Bo (Lorraine Toussaint) and daughter Lila (Saniyya Sidney), both of whom have the capacity to wield swirly-colored constructive/deconstructive energy. Jamie Bell gives the performance of his career as Bryon “Babs” Widner, a face-tattooed neo-Nazi contending with his chosen white-power path, in Oscar-winning director Guy Nattiv’s based-on-real-events tale of the origins of hate – and the potential means of reversing it. Indoctrinated

sxdrfctgvybhjnk · Mitglied Beiträge: 78

Eddie Murphy regains his superstar mojo in Dolemite is My Name, a raucous biopic fashioned in an Ed Wood and The Disaster Artist mold (from the writers of the former) about Rudy Ray Moore, a clownish wannabe-entertainer who hit it big by playing the profanely rhyming, kung-fu-fighting, ladies-bedding Dolemite. It’s been decades since Murphy has been this hilariously energized, his giant smile and brash talk elevating this underdog-makes-good effort from Craig Brewer (Hustle & Flow), which traces Moore’s transformative creation of both his famous alter ego.

dfgyuhjikrdtfg · Mitglied Beiträge: 80

As well as the family of friends and collaborators who helped him realize his stage and screen dreams. Decked out in a variety of swanky colorful suits (replete with matching hats), and wielding a cane that aids his strut, Murphy turns Moore’s story into his own declarative statement of peerless comedic bravado – and he needs every ounce of that charisma to keep the spotlight on himself, because as Moore’s director/co-star, a bug-eyed, flamboyantly mannered Wesley Snipes almost steals the film from him.

chirmsplatter · Mitglied Beiträge: 52

In a Mexican city rendered a ghost town by violent drug gangs, young Estrella (Paola Lara) strikes up a prickly alliance with a group of orphaned boys – led by Shine (Juan Ramón López) – after her mother goes missing. Convinced the three chalk pieces she received from her teacher grant her magical wishes, Estrella tries to survive her harrowing new circumstances on the streets, which are further complicated by two adult thugs intent on reclaiming their stolen property from Shine. Pitched in fantastical Grimms terms (with a dash of Guillermo Del Toro), López’s allegorical feature doesn’t shy away from the brutal realities of its scenario, often to heartrending effect.

dsfgvdsvchgdv · Mitglied Beiträge: 80

Until, that is, it reveals itself to be about a crew of filmmakers making an undead horror movie. And then, it becomes a story about how those artists are in fact overrun by a real zombie threat. Which – believe it or not – isn’t the final twist in One Cut of the Dead, a rollicking comedy that keeps viewers on their toes by constantly divulging new layers of reality. Kicking off with a bravura 37-minute single take sequence that charts its characters’ attempts to navigate their monstrous ordeal – all as their director, Higurashi (Takayuki Hamatsu), continues to roll cameras – the film eventually delivers a meta bombshell that totally reconfigures one’s conception of the action at hand.

erdsjdgscfhbv · Mitglied Beiträge: 69

The rapidly changing global manufacturing landscape is examined through the lens of an Ohio auto-glass plant founded by the Chinese and staffed with men and women from both countries in American Factory. The first release to emerge from the Obamas’ production deal with Netflix, Julia Reichert and Steve Bognar’s eye-opening documentary begins on a high, as American and Chinese workers show equal enthusiasm for the new venture, which promises to bring opportunity (and, hopefully, prosperity) to a community hit hard by a prior GM plant’s closing.

sdhgbcfxzjdgh · Mitglied Beiträge: 89

American and Chinese workers show equal enthusiasm for the new venture, which promises to bring opportunity (and, hopefully, prosperity) to a community hit hard by a prior GM plant’s closing. Various culture-clash issues, however, soon complicate the endeavor’s chances for success, leading to tensions on both sides and, ultimately, a battle over workers’ desire to unionize, which is opposed by their foreign-born bosses. Plumbing American and Chinese expectations and attitudes regarding labor, as well as the compatibility of the two countries’ ways of doing things, it’s an intimate on-the-ground look at 21st-century globalization in practice.

sdhgbcfxzjdgh · Mitglied Beiträge: 89

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